Hip-Hop 2.0: Soulja Boy Is A Web 2.0 Wonder

By Lynne d Johnson | Thu, Oct 18, 2007 7:42 pm

I’ve been talking about this Soulja Boy Web phenomenon every moment I get — on my own blog, in blog comments, in face-to-face conversations. So of course it was funny today, when perusing my Google Reader for coverage of Pop!Tech and Web 2.0 Summit (mainly because I missed not actually having been there), that I ran across this bit of information on the Popular Science Blog about a Soulja Boy discussion at Web 2.0.

Apparently, Hitwise charted the Soulja Boy boom by tracking the amount of traffic streaming from social networking sites to search engines to his official Web site, and predicted back in May that the rapper (who was virtually unknown at the time) would become a major mainstream success.

And just in case you don’t know what Hitwise does, peep this:

The Hitwise online competitive intelligence service provides daily insights on how 25 million people interact with over 1 million websites in 160+ industries. Our unique, global network of Internet usage data is integrated into our user friendly service, helping you better plan, implement and report on your online branding, search marketing, content strategies and online partnerships.

Now we’re not saying this is the best of hip-hop, but we’re definitely saying, well at least I am, it’s the best example I’ve seen of an artist utilizing the power of the Web to break his career. Sure, Cassie broke on YouTube, but how many records did she sell? The truth is, all the work on YouTube, MySpace, et. al. paid off for this cat. I’m sure the fact that he created dance lesson videos didn’t hurt either. We know that a lot of these dirty south dance songs end up being one-hit wonders for a lot of artists, but this Web community built up around this artist is outrageous. You won’t see me cranking anything anytime soon, but I can respect Web gansterism when I see it.

If you’re in the music industry, please study this Soulja Boy site now. Then click over to the Soulja Boy Myspace profile page. Then peep that Soulja Boy YouTube channel.

Now read this:

Thanks largely to YouTube, “Crank That,” the song and dance, have been ubiquitous for the past three months. Since it was posted in August, the instructional clip featuring Soulja Boy doing the moves has been viewed on YouTube more than 11 million times. Video variations of the song, including manipulated Winnie the Pooh and Dora the Explorer cartoons, have also become Internet hits.

And this:

That may be true because the rapper established his song and dance on the Internet before securing a major-label deal. But “Crank That” – built on a rudimentary arrangement featuring little more than finger snaps and a bouncy keyboard riff – is hardly groundbreaking. Like the “Macarena,” the song and dance are hot for the moment.

From baltimoresun.com

They don’t have classes in school on this stuff you know. There’s no handbook. This is the closest you’re going to get to a case study right now. This is Hip-Hop 2.0.

Category: Celeb 2.0, Content, Social Networking, Web 2.0

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This post was written by:

Lynne d Johnson - who has written 27 posts on Black Web 2.0.

Lynne d Johnson is SVP, Social Media at the Advertising Research Foundation, where she guides members on how they can best utilize social media to gain insights and achieve their business objectives, directs the activities of the ARF’s Social Media Council, and expands the ARF’s social media presence. Previously she was Director, Social Media (and Senior Editor/Community Director) for FastCompany.com, a leading website and community for people passionate about business ideas also offering the complete content of Fast Company magazine. There she wrote Digital Media Diva, a technology blog following web, media, and consumer trends. As a consultant Lynne works with technology and Web clients in the areas of content, community, and brand strategy. Prior to joining Fast Company, she was the General Manager, New Media for VIBE, SPIN, and VIBE Vixen where she she managed marketing, editorial, production, business development, and sales operations for the magazines’ websites and mobile properties. Lynne also serves on the Board of Directors of the Literary Freedom Project, the advisory board of Black Web 2.0, and the Key Influencers of Interactive One. Her personal blog, Lynne d Johnson || music, media, my life, which launched in July 2001, is the recipient of the 2006 Black Weblog Awards Black Blogger Achievement Award.

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Hashim Warren

Excellent! Thanks for the links, Lynne.

One thing that obscures any study of the web's effect on "Crank That" is the fact that Mr. Collipark produced it.

I disagree with the Baltimore Sun with, "built on a rudimentary arrangement featuring little more than finger snaps and a bouncy keyboard riff - is hardly groundbreaking."

Actually Collipark has already created hits using the same catchy formula, including The Whisper Song.

W1ldstar

Mr. Collipark did digress producer-wise. When you first learn to create music, the steel drums always appeal to you. The explosion in popularity ofcourse came because of the video and dance. I read reviews on itunes that actually emphasizes the video...on ITUNES!!!! So most people are affected by the dance and the effect is widespread popularity(Even heard it on nfl clips). I'm happy for Hip hop 2.0, but saddened by the content.

Theo J.

Web gansterism. I like that. So many people don't realize the potential out there. Why spend thousands of dollars on advertising when you can do it yourself.

Anthony

Who can really be made at Soulja Boy? He is only a teen and he is breaking boundaries and setting precedents that even established artists haven't been able to touch. I first read about his online success on Global Grind and after checking out his movement I can see what the hype is about. The song is catchy and dance moves are the way to go. He has managed to catch the attention of children and adults all over the world.

Vince Williams

"Where Are the Black Web Professionals?"

Soulja Boy - Pimp Slap Dat Hoe lyrics

Man what happen man?
Man I don’t know this gurl still talkin’ crazy to me man actin actin like she run me or sumthin’
What dog man you know what you need to do man
What?
Slap dat hoe man, pimp slap her ass man you get yo respect dog
Yo Feel Me Aight
Aight Aight
Do dat dog walk over there and pimp slap her
That’s what I’m talking about

I’m something like a pimp from the dirty dirty south,
If you keep talkin crazy imma slap you in yo mouth,
This nigga ain’t playin bout my cheddar or my cake, if you do something wrong then my hand gon meet yo face
My hand comin fast bout a hundred miles per hour,
Gettin hit in yo face while you bathin in the shower
I thought I told you trick better have my money off da rip, reach back like a pimp slap dat trick in da lip.

Askin me for some money to go shoppin at Chinese store, reach back like a pimp knock dat trick to da floor
If you aint heard I’m dat nigga datz gon put you out yo misery
Pimp slappin is what I do, known in the city
Trick get back yappin yappin in my ear,
Like a man here come my hand now all the talkin disappear
Slap fist in my house, you talkin crazy so you gettin hit
Slap ya in da face. Reach back I’ma a pimp trick.

Vince Williams

I guess some people don't believe in cause and effect.

Vince Williams

Web marketing to promote content like that is evil.

iasha

i love you soulja boy

latricia

i love u souljaboy

Christina aka Toosie

I think soulja boy is the most poperly singer in the days times so that mean i love you soulja boy